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Program Leonor FINI 1949 BALLET Roland PETIT Paris Zizi Jeanmaire Britton Bizet Clavé Lepri

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Program Leonor FINI 1949 BALLET Roland PETIT Paris Zizi Jeanmaire Britton Bizet Clavé Lepri

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Program Leonor FINI 1949 BALLET Roland PETIT Paris Zizi Jeanmaire Britton Bizet Clavé Lepri

  • BALLETS DE ROLAND PETIT 1949
  • This is the comprehensive, large master program for the Paris, France 1949 season.
  • The program advertises the eleven (11) repertory ballets performed during the 1949 - 1950 season.
  • The program contains copious details on all the ballets performed during that season.
  • Featuring Jeanmaire Shearer Anouilh Bizet Clavé Lepri Britton
  • Country of Origin: France.
  • AGE: 1949
  • Exactly as shown in the detailed photos below.
  • SCROLL DOWN TO SEE PHOTOS.
  • All the information you need to decide about a purchase is in front of you at the time of purchase.

SIZE:

  • This measures overall approximately 31 cm x 23 cm // 12.25 inches x 9.25 inches.

 

  • TITLE: BALLETS DE ROLAND PETIT 1949
  • TOPIC: The program advertises the eleven (11) repertory pieces performed during the 1949 - 1950 season.
  • Performance details are below; scroll down.
  • BINDING: Softcover, soft bound stapled, with transparent embossed onionskin cover wraps.
  • PAGES: 38 pages, inclusive, including two (2) interior onionskin pages and not counting the covers.
  • EDITION: First and only edition thus.
  • YEAR: 1949
  • PUBLISHER: Theatre Marigny Paris France
  • COMPLETE: This is COMPLETE. No missing pages.
  • ILLUSTRATED: Copiously illustrated throughout in full page color, and black and white.
  • SIGNED IN THE PLATE: Color illustrations are SIGNED IN THE PLATE by their respective artists.
  • All illustrations printed in this program make their only printed appearance here.
  • The illustrations were not reproduced elsewhere and are unique to this publication and to this season.
  • INCLUDES EXTRAS and supplements detailed below; SCROLL DOWN.
  • SCROLL DOWN TO SEE PHOTOS.


DETAILS:

  • This is COMPLETE.
  • No missing pages.
  • With the intact original separate loose leaf single sheet program insert for the attendance night.
  • This loose leaf insert page is the program loose leaf errata sheet inserted for that night's performance.
  • Includes the intact onionskin transparent exterior cover printed protective overlays.
  • These onionskin transparent covers are embossed with translucent original illustrations.
  • These embossed illustrations depict the Theatre Marigny, the theater where this program is performing.
  • The illustrations include Cupid as a cherub carrying arrows on his back and with his horse.
  • This includes the LEONOR FINI original double page full color full page centerfold
  • This double full color centerfold is SIGNED IN THE PLATE by listed surrealist LEONOR FINI
  • This includes all the LEONOR FINI original illustrations for the season's ballet costumes.
  • The program text also mentions Leonor Fini in the credits for set and costume design of Le Reve de Leonor.
  • This includes the original introduction by Jean Anouilh, illustrated by LEONOR FINI.
  • Jean Anouilh is listed as the creator of the ballet Les Demoiselles de la Nuit, in performance during the 1949 - 1950 season.
  • This includes the Antoni CLAVÉ original two (2) full color full page illustrations.
  • These are SIGNED IN THE PLATE by listed master Antoni CLAVÉ
  • The cover illustration is by Antoni Clavé.
  • Antoni Clavé also designed sets and costumes for other ballets in the repertoire.

 

PRINCIPLES include, but are not limited to:

  • Ballet: Roland Petit, Renée Jeanmaire,
  • Moira Shearer, Colette Marchand,
  • Belinda Wright, Gordon Hamilton.
  • Musical talent includes compositions by Darius Milhaud
  • and performances by Jean Pierre Rampal (playing flute with the orchestra),
  • André Rabot, Jacques Rabot, Jean Huchot,
  • Guy Deplus, Francois Dupin, Marcel Roche.
  • Sets and costumes designed by Clavé , Leonor Fini, Andre Derain ,
  • A. Vachon Pierre Balmain, and others,
  • And with ballets designed by Fini, Jean Anouilh, Roland Petit and others.

 

CONDITION:

  • By " antique " we mean over 100 years of age.
  • By " vintage " we mean between 50 and 100 years of age.
  • This item is made of matter and it is OLD; this means it is NOT NEW.
  • This is not a recent reproduction. It is not a recent copy. It is not a fake.
  • SCROLL DOWN TO SEE PHOTOS.

There are signs of age and usage including but not limited to:

  • There is some overall surface wear.
  • There are some overall surface scratches.
  • There is some overall oxidation.
  • There is some minor interior staining from the oxidization of the metal staples.
  • There is some aging of the paper and minor oxidization of the printing.
  • There is some minor wear around the perimeters and edges of all the pages.
  • There are some folds and some edge wear to the interior flaps of the onionskin outer covers.
  • There is some oxidation of the onionskin due to time spent aging in a predominately oxygen atmosphere.
  • There may also be other signs of age and usage that we missed because we aren't specifically trained to see them.
  • There may be irregularities characteristic and typical of old printed paper programs, that we missed because we aren't specifically trained to see them.
  • The condition is good, THIS IS COMPLETE, there's nothing functionally wrong with this, and the condition is exactly as shown in the photos.
  • Please look at all the photos carefully and read this description carefully.
  • This has not been examined microscopically.
  • We have not taken this apart or put it back together, we've not subtracted anything from it nor added anything to it that was not already there when we got it.
  • We have not cleaned it.
  • It is impossible to divine exactly what information a buyer might want. It is the buyer's responsibility to carefully scrutinize a purchase before buying. Please consider your purchase carefully. We are happy to help in any way we can by answering your questions to the best of our ability and furnishing additional specifics upon request. Ask any questions before you buy.

 

PLEASE NOTE:

  • All the information you need to decide about a purchase is in front of you at the time of purchase.
  • To insure you receive our rare paper items in the same condition as when sold,
  • we seal them after photographing them.
  • We cannot reopen them to provide more details.
  • Each of our listings are comprehensive and contain abundant photographs of contents.
  • Additional information about content details can easily be researched online and at your local library.
  • Thank you for your understanding.


BEAU PROGRAMME 1949: BALLETS DE PARIS. RARE.

  • COMPLETE avec pages de Fini et les couvertures en papier cristal.
  • Chorégraphies de Roland Petit. Renée Jeanmaire, Moira Shearer,
  • Colette Marchand, Belinda Wright, Gordon Hamilton.
  • Au Théatre Marigny.Paris France.
  • Dimensions: 31 x 23 cm
  • Pages: 38 pages, total, sans le couvertures
  • mais avec les 2 pages en papier cristal dans l'interior.
  • 38 pages abandonment illustrées de photos et de dessins de Clavé et de Léonor Fini.
  • Il a les grands pages en couleur de Fini dans le centre!
  • Il a les couvertures en papier cristal.
  • Introduction par Jean Anouilh.
  • Jean Pierre Rampal (flute avec L’Orchestre).
  • En bon état pour son age.
  • Frais de port en sus.
  • Merci de votre visite.

Répertoire des Ballet de la Compagnie 1949 - 1950:

  • CARMEN, ballet de Roland Petit
  • après l’opera comique de H. Meilhac et L. Halevy.
  • Musique de Georges Bizet,
  • decors et costumes de Clavé,
  • LES DAMOISELLES DE LA NUIT ,
  • ballet de Jean Anouilh, musique de Jean Francaix,
  • decors et costumes de Léonor Fini, choregraphie de Roland Petit.

  • L’OEUF Á LA COQUE ,
  • ballet de Roland Petit,
  • musique de Maurice Thiriet,
  • decors et costumes de Stanislas Lepri,
  • choreographie de Roland Petit.

  • LE REVE DE LÉONOR,
  • ballet de Léonor Fini,
  • Musique de Benjamin Britton,
  • décor et costumes de Léonor Fini,
  • choregraphie de Sir Frederick Ashton.

  • LA FEMME ET SON OMBRE
  • ballet de Paul Clauden,
  • musique d’ Alexandre Tcherepnine,
  • décor de A. Vachon,
  • costumes de A. Vachon et Pierre Balmain,
  • choregraphie de Janine Charrat.

  • MADAME MIROIR
  • ballet de Jean Genet,
  • musique de Darius Milaud,
  • décor et costumes de Paul Delvaux,
  • choregraphie de Janine Charrat.

  • THÉME ET VARIATIONS,
  • ballet classique,
  • musique de Tchaikovsky,
  • Orchestree par Jean Hubeau,
  • choregraphie de Janine Charrat.

  • QUE LE DIABLE L’EMPORTE!
  • Ballet d’Andre Derain,
  • partitition de Manuel Rosenthal,
  • d’apres des airs popluaires du XVIIIe Siecle) ,
  • décor et costumes d’Andre Derain,
  • choregraphie de Roland Petit.

  • BEAU DANUBE, SUITE DE DANSES DE.
  • Ballet en un acte de Leonide Massine,
  • musique de Johann Strauss, orchestree par Roger Desormere,
  • décor et costumes d’apres Constantin Guys,
  • choregraphie de Leonide Massine.

  • LE COMBAT,
  • ballet de Roland Petit,
  • musique de Rafaello de Bandfield,
  • décor et costumes de Marie Laure,
  • choregraphie de William Dollar.

  • PAS D’ACTION ,
  • choregraphie de Roland Petit.

 














































 

 

 

 


 


All Content is © Debra Spencer, Suit Yourself™ International. Technical Library FAQ Index ISSN 2474-820X. All Rights Reserved.
Please do not reproduce in part or in whole without express written consent. Thank you.

 


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All Content is ©2019 Debra Spencer, Appanage™at www.suityourself.international Suit Yourself ™ International, 120 Pendleton Point, Islesboro Island, Maine, 04848, USA 44n31 68w91 Technical Library FAQ Index ISSN 2474-820X. All Rights Reserved. Please do not reproduce in part or in whole without express written consent. Thank you.

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All Content is ©2019 Debra Spencer, Appanage™at www.suityourself.international Suit Yourself ™ International, 120 Pendleton Point, Islesboro Island, Maine, 04848, USA 44n31 68w91 Technical Library FAQ Index ISSN 2474-820X. All Rights Reserved. Please do not reproduce in part or in whole without express written consent. Thank you.
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